WIP of the secret forest. The intriguing thing about the distant light is that’s a wall of falling water that feeds the creek. Where bears roam. 18 x 24” oil on linen panel.
Oil, 18 X 24”, the forest below the dam. Where bears roam.
sunset
WIP of the secret forest. The intriguing thing about the distant light is that’s a wall of falling water that feeds the creek. Where bears roam. 18 x 24” oil on linen panel.
Oil, 18 X 24”, the forest below the dam. Where bears roam.
Lots of "Thank you's (or youse)" lately to the wonderful people who support my artistic efforts and purchase my prints and/or original artwork. You're inspirational, motivational and downright kind! Grateful - more so than you can imagine. Etsy: catherinetwomeyart.etsy.com
As a member of Preserving A Picturesque America (https://preservationthroughart.org/) yesterday I joined three other plein air painters at the Biltmore Estate on the Wisteria Terrace. As we painted we were filmed and then interviewed about our work and PAPA for an upcoming PBS Documentary. It was a most spectacular day, fortunately, and although I have almost no memory of what I said in the interview, I hope I did PAPA proud - I know they make me proud.
Painting, getting filmed and interviewed for a PBS documentary this morning at Biltmore. Four plein air painters for Preserving a Picturesque America hard at work.
Jeff the cameraman from LA, preparing to shoot with his 30# camera.
The wisteria that captured my heart and eye; along with Mt. Pisgah.
Almost finished, always one more thing to do....9 X 12" oil on Artefex canvas over aluminum panel with Michael Harding oils.
THANK YOU to Blend Gallery at 67 Biltmore Ave (Asheville) for the sale of "Island Edge." This original oil was painted plein air at Bass Lake in Blowing Rock, NC - obviously a beautiful, serene place filled with happy walkers as storms came and went.
"The Island" is a plein air oil, 16" X 16" in Blowing Rock, NC. It was a blustery, sometimes rainy day, but there is nothing like capturing the light on site. Thank you to the collector from Hewitt, NJ for their purchase!
The international gallery, Singulart, has named my work “Maple Ridge Craggy Gardens” to their Fall Harvest Collection! This piece is in oil on an archival panel, and is professionally framed and ready to hang. For additional information, please visit:
“The Marked Tree”, 12” X 16” on panel
A memory, a feeling, a brief moment of life - this was painted at Marked Tree Vineyards, where I was surrounded by the most beautiful scenery, happy somewhat inebriated people, a good panter friends. I was so drawn to the way the vines pointed at the namesake tree - and the colors, the rich colors of the countryside on a gorgeous summer day.
“Sequenced”, 24” X 36” pigments, iridescents, metallics on aluminum panel, framed.
The luminous sky and mountains at over 6,000 feet can overwhelm. Couple that with the late spring blooms of the rhododendrons, and there is a sense of floating high above the clouds as the sun descends. I'm inspired by the mountains and sky, of course - but the flow of the pigments themselves is so freeing; so abstract. It's like it helps makes sense of all of the complex layers and diffuse light spreading through the clouds. Each layer is constructed
separately using pigments, tools, an airbrush and gravity. Although the end result appears realistic, on closer inspection it's made up of pours, ridges and glowing pigment. This 24" X 36" original painting will infuse your room settings with good taste and luminescence. It is framed in a lovely copper and black floating frame.
“Between Storms” is an 8” X 16” oil on archival panel.
The weather is so incredibly variable in the mountains, and this day was no exception. I made my way around a lake, Bass Lake, in Blowing Rock, NC - Blue Ridge mountains. Surrounded by threatening cumulous clouds, I quickly set up and immediately planned out the composition. Suddenly, sunlight flooded the island in the lake's middle, and I knew I had my painting. The flashes of light green and blue highlighted the dark pines against the mountainside. The light fell on a downed log, prompting a highlight that finished the piece. As dozens of people made their way past and around the lake path, it felt like we were all in it together - a race against the lightning in an electric moment.
An hour's drive up to a mountain pass proved to be well worth the trip. I spent a day at Altapass Orchards in North Carolina - and what a sight it was! The day was clear and unusually warm, so I was able to set up for some long range views. The apple blossoms were just coming out, adding to the scene's delight. This original watercolor is 6" X 12" on archival Canson board.
12 X 16” acrylic on canvas, available soon
Finally, I’m home again! Spring is springing and I’ve been getting some painting and some gardening done, so yeah! Often while on Anna Marie island I would plein air paint the sunsets, which were spectacular. I’m thoroughly enjoying simplifying the shapes and colors. This will be posted for sale soon.
Recently finished this piece looking down towards Asheville from the eastern mountains. A stunning evening as the lights popped out. 12X16’ on Canson canvas board.
I am so grateful to the collector of this work from my Manifesto Series, entitled “"Manifesto 5.0: The Gulf, Sarasota" which is going to a new home in California. To view additional original art, please visit:
https://www.catherinetwomey.com/new-products-3/
and to purchase prints, visit:
https://fineartamerica.com/profiles/catherine-twomey.html
Happy Holidays to all.
18X30" on archival RayMar canvas; acrylic
There is something so satisfying about working with someone who has commissioned your work. The gift of having their trust to complete a vision is priceless. This work began with a trip up the Blue Ridge Parkway to the Grandfather Mountain area. I hiked extensively, capturing reference photos and a good sense of what the mountain was about. Just this morning, the commissioner commented:
It’s beautiful and we love it! It’s going to look great in our living room.
Thank you so much.
Grateful, thrilled and touched by the whole process.
Commission, 18 X 30" on archival canvas
Back to work after being at a meeting in Boston, I've started on the first layers of the distant mountains. So enjoyable to work on this with music playing and thoughts of the trails. I will probably soften the transitions between shapes a bit, but hard to judge that until all the layers are finished.
"Liquid Blue Ridge Sunset" oil on board
"Blue Ridge Mountains Sunset 1.2" by C. Twomey
"Blue Ridge Mountains Sunset 1.2" sample of framed oil
This is an original oil on archival linen board. It is 9 X 12" and unframed.
The Sun Found The Hillside |
Advance Mills Hay Bales 1 |
Advance Mills Hay Bales 1 |
The Sun Found The Hillside |